A survey of Nasir Al-Molk Mosque in Shiraz based on the Aesthetics of Islamic Art

A survey of Nasir Al-Molk Mosque in Shiraz based on the Aesthetics of Islamic Art

Autores/as

  • Samira Ashari Ph.D student in Industrial Design, Industrial Design Group, Faculty of Design, Tabriz Islamic Art University, Tabriz, Iran
  • Amin Maleka Ph.D student in Geotechnical engineering, Department of Civil Engineering, Faculty of Engineering, Roudehen Branch, Islamic Azad University, Roudehen, Iran

DOI:

https://doi.org/10.29019/eidos.v15i21.1020

Palabras clave:

Estética, Arte Islámico, Arquitectura Islámica, Mezquita Nasir Al-Molk, Noor

Resumen

Como uno de los edificios más importantes de la arquitectura islámica, la Mezquita ha pasado su proceso de formación, evolución o declive a lo largo de los años influenciado por subsistemas espaciales y temporales estáticos y dinámicos. Los principios y criterios de la estética en la arquitectura islámica incluyen forma y forma, luz y color, decoración y símbolos. Nuestro conocimiento sobre el diseño de mezquitas mejorará al considerar la importancia de estudiar estos trabajos y tener un conocimiento preciso sobre los creadores de estos trabajos intelectual y prácticamente, lo que puede allanar el camino para un diseño arquitectónico más preciso en las mezquitas de hoy. Este estudio tiene como objetivo investigar los elementos utilizados en la arquitectura de la Mezquita Nasir-ol-Molk en Shiraz basados ​​en la estética islámica. En consecuencia, las principales preguntas planteadas son: cuáles son los fundamentos utilizados por los constructores en la construcción de la Mezquita Nasir-ol-Molk? El presente estudio es de tipo descriptivo-analítico en cuanto a la metodología. Posteriormente, la información fue recolectada a través del estudio de documentos relacionados en el marco de los métodos de biblioteca, observación y campo. Este estudio muestra que la estética iraní y la estética islámica han impactado en la Mezquita Nasir-ol-Molk. En esta mezquita se han reunido todos los elementos necesarios para una sensación de paz espiritual. La yuxtaposición de luz, color y el soporte científico de particular importancia tienen una perspectiva estética, y hay una conexión complementaria entre ellos.

Descargas

Los datos de descargas todavía no están disponibles.

Citas

Ahmadpoor Samani, S. & Ahmadpoor Samani, S. (2012), The impact of Indoor Lighting on Student’s Learning Performance in Learning Environment: A Knowledge Internalization Perspective, International Journal of Business and Social Science, 3(24).

https://ijbssnet.com/journals/Vol_3_No_24_Special_Issue_December_2012/14.pdf

Akbarzadeh, M., Piravi Vanak, M. & Mozaffar, F. (2019). Architectural criticism of Nasir al-Molk mosque in Shiraz based on religious texts. Bagh-e Nazar, 16(78), 55-70. https://doi.org/10.22034/BAGH.2019.104311.3283

Akhshik, S. (2012). Investigation of the place and influence of color and light symphony in the postmodern architecture of libraries, Shamseh, Electronic Journal of Libraries Organization, Museums and Astan Ghods Razavi Documentation Center, Volume 3, Numbers 10 and 11.

Adibnia, F. & Adibnia, M. (2016). Manifestation of mysticism and spiritual symbols in the architecture of Islamic cities. International Conference on Architecture, Urbanism, Civil Engineering and Art; Future Horizons, Looking to the Past. Jahad University.

Ardalan, N. & Bakhtiari, L. (2012). Sense of Unity, the Tradition of Sufism in Iranian Architecture, T: Jalili, Vandad. Elme Meamar Publishing.

Alizadeh, S. (2015). Studying color and light elements in Islamic architecture emphasizes Nasir Almolk and Moshir mosques in Shiraz. International Conference on Architecture, Urban Planning, Civil Engineering, Art and Environment; Future Horizons, Looking to the Past. Jahad University, March 2016.

Avaznejad, F. & Sheibani, H. (2019). Color in Arsen City of Zandieh Shiraz. Journal of Studies in Color World, 9(2), 43-52. https://jscw.icrc.ac.ir/article_81621.html?lang=en

Avaznejad, F. & Sheibani, H. (2021). Study of Color in the Architecture of Nasir Al-Molk Mosque in Shiraz. Journal of Studies in Color World, 11(1), 23-34. https://jscw.icrc.ac.ir/article_81760.html?lang=en

Balkhari Ghahi, H. (2016). Mystical Principles of Islamic Art and Architecture. Third Edition. Surah Mehr Publishing.

Bamat, N. A. (2015). Islamic City. T: Halimi, M. H. First Edition. Printing and Publishing.

Beardsley, M. (1981). Aesthetics. Hackett. Barrio.

Budd, M. (2007). The Aesthetics. In The Routledge Encyclopedia. Edited by Bery Gaut and Dominic Goldman, McIver Lopes.

Burkhart, T. (2014). Sacred Art (Principles and Methods). T: Sattari, J, 7th edition. Soroush Publications.

Cheshmeh Sohrabi, M. Rahim Salmani, A. & Rahim Salmani, A. (2012). The effect of color on the interior architecture of university libraries. Journal of Library and Information Science, 14(1).

Fahimifar, A. (2010). Research on the Aesthetics of Islamic Art, Research on Culture and Art. First Year, No. 2, Summer 2009, 73-82.

Ghochani, M. & Mousavi, S. M. (2022). Spiritual reading influenced by colors in the architecture of mosques based on the movement path of the worshiper (Case study: Nasir Al-Molk Mosque in Shiraz), Haft Hesar Journal of Environmental Studies, 39, 57-72.

Grotter, Jürgen (1999). Aesthetics in Architecture, T: Pakzad, J. Homayoun, A, 1st Edition, Tehran: Shahid Beheshti University Press.

Goodarzi S., Khalil. Emadi, S M J (2015). Islamic Architecture as an Umbrella for Iranian Architecture (Concepts, Definitions).

International Conference on Architecture, Urban Planning, Civil Engineering, and Art; Future Horizons, Looking to the Past. Jahad University, March 2016.

Goldman, A. (2008). The Aesthetic. In The Routledge companion to Aesthetic. Edited by Bery Gaut and Dominic McIver Lopes.

Hashemnezhad, H. (2012). Aesthetics in the philosophy of Sadr al-Muta'allehin. Journal of Philosophy, 39(2), 137-161.

Jahanbakhsh, H. (2016). An investigation of the place of decorations and tile patterns in Iranian mosques. Journal of Visual Arts

Arrangement, 4th Year, No. 10, 108-117, Fall 2015.

Jamali, S. H. & Marati, M. (2013). A Comparative Study of Tile Decorations in the Architecture of Mosques of Safavid and Qajar Periods Based on Four Visual Examples. Journal of Art University, 10, 81-94. Fall and Winter 2012.

Javadi, A. (2014). Iranian Architecture: 84 articles by 33. Iranian researchers, 2, 1st Edition. Behnegar Publishing.

Khosrojerdi, N. & Mahmoudi, M (2016). From the architectural heritage of Iran's past to contemporary architecture. International Conference on Architecture, Urbanism, Civil Engineering and Art; Future Horizons, Looking to the Past. University Jihad, March 2016.

Kalantari Khandani, H., Varmzyar, H., Hosseini Gohari, P., Seif Alahi Dehmiri, M. T. (2016). Light in Islamic Architecture. International Conference on Architecture, Urbanism, Civil Engineering and Art; Future Horizons, Looking to the Past. Jahad University, March 2016.

Kiani, M. Y. (2016). History of Iranian Art in the Islamic Period. 17th Edition. Samt Publications.

LangFeld, H. S. (1920). The Aesthetic Attitude. New York.

Memarian, G. H., Azimi, S. & Kaboudi, M. (2014). I am investigating the roots of the use of blue color in the windows of traditional residential buildings (a case study of Oraman residential buildings). Quarterly Journal of Islamic Architectural Research, 3, 1st Year.

Mehrpooya, J. (1997). Arrays of Traditional Architecture in Iranian Mosques. Art Quarterly, Summer and Autumn, 76(33), 556-573.

Maleki, R., Bayzidi, Q. & Yoonessi, A. (2020). Evaluation and Ranking of Factors Affecting the Perception of Spirituality Sense in the Interior of Mosques; Case study: Nasir Al-Molk Mosque-Shiraz. Journal of Studies On Iranian-Islamic City, 10(40), 45-75.

Nadimi, H., Kelkdoost (2007). Ten articles of art and architecture. Editor: Mehdi Oghabi, Isfahan: Municipal Cultural and Recreational Organization. Isfahan.

Nasr, S. H. (2007). Traditional Islam in the Modern World. T: Salehi, Mohammad, First Edition. Suhrawardi Research and Publishing Office.

Nezhdat Arzan, J. (2008). The Origin of Art in Religion: Islamic Aesthetics: Another Way to Knowledge, Aesthetics Quarterly, 19, 335-325. T: Saberipour, M.

Pakbaz R. (2014). Encyclopedia of Art. 13th edition. Contemporary Culture.

Pope, A. (1986). Iranian Architecture The Victory of Shape and Color. Yassavoli Publications.

Shaterian, R. (2012). Architectural Analysis, Mosques. First Edition. Noorpardazan Publications.

Shayestehfar, M. (2008). Inscription decorations of Vakil Mosque in Shiraz. Mah Book Monthly, 120, September 2007, 75-64.

Turner, A. & Penn, A. (2002) Encoding Natural Movement as an Agent-Based System: An Investigation into Human Pedestrian Behavior in the Built Environment. Environment and Planning, B Planning and Design 29(4), 473-490. https://doi.org/10.1068/b12850

Tavaklian, Z. & Bahmani Kazeruni, S. (2016). A study of organizing the night prayer hall in Shiraz mosques. Quarterly Journal of Islamic Architectural Research, 3(8), 89-103.

Von Meiss, P. (2014). A looking at the principles of architecture from form to place, along with analysis and analogy with the principles of Iranian architecture. T: Ayvazian, Simon. University of Tehran Press.

Warburton, N. (2015). Alphabet of Philosophy. T: Massoud Olya. Second Edition, Ghoghnoos Publications. En el texto está 2016

Zamanpor, G. et al. (2016). Investigating the sense of spirituality created by the combination of light and color in Nasir Al-Molk Mosque in Shiraz. Binnial Conference of Community and contemporary architecture, 1, 1-14.

Descargas

Publicado

17-01-2023

Cómo citar

Ashari, S., & Maleka, A. (2023). A survey of Nasir Al-Molk Mosque in Shiraz based on the Aesthetics of Islamic Art: A survey of Nasir Al-Molk Mosque in Shiraz based on the Aesthetics of Islamic Art. Eídos, 15(21), 59–71. https://doi.org/10.29019/eidos.v15i21.1020