Estudio comparativo de vitrales de colores en el arte gótico con la fabricación de ventanas (Orosi Sazi) en la era Qajar: estudio de caso de la Iglesia Charter y la mansión Salaar Saeid
DOI:
https://doi.org/10.29019/eidos.v14i19.998Palabras clave:
arte gótico, vitrales, arte Qajar, Orosi (sash)Resumen
En Europa, el uso de vitrales de colores en la construcción de ventanas de la iglesia era común, alcanzando su apogeo durante el período gótico. Por otro lado, la tendencia a usar vidrio de color, llamado Orosi (Sash), en la arquitectura iraní comenzó en la era safávida y, bajo la influencia de la cultura y el arte iraníes, se convirtió en un arte genuino llamado
azulejos Girih; este arte floreció sin precedentes durante la era Qajar. El presente estudio tuvo como objetivo identificar los vínculos interculturales en el arte de la era Qajar con elementos tomados de la cultura occidental y mediante la comparación de técnicas estructurales, color, patrones, y el impacto de factores conceptuales como la luz trata de identificar las posibles similitudes entre los dos métodos basados en la coincidencia de las muestras de estudio de sus dos estructuras sobresalientes (Iglesia Charter y Salaar Saeid Mansion). Especialmente en Irán, siendo un territorio que siempre está en el centro de los intercambios culturales, estudiar la relación entre esta tendencia en la arquitectura iraní y sus raíces puede ser útil para una mejor comprensión del arte iraní. El presente estudio es un caso práctico y a nivel
metodológico es un estudio descriptivo-analítico. Los datos se recogieron mediante un estudio documental (biblioteca). Los hallazgos han demostrado que la tradición de los vitrales ha existido más en tierras europeas, y su formación en Irán está más influenciada por los componentes culturales importados. Se puede afirmar que la fabricación de ventanas...
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